When Marilynne Robinson published her first novel, Housekeeping, in 1980, she was unknown in the literary world. But an early review in The New York Times ensured that the book would be noticed. "It's as if, in writing it, she broke through the ordinary human condition with all its dissatisfactions, and achieved a kind of transfiguration ," wrote Anatole Broyard, with an enthusiasm and amazement that was shared by many critics and readers. The book became a classic, and Robinson was recognized as one of the outstanding American writers of our time. Yet it would be more than twenty years before she wrote another novel. During the period, Robinson devoted herself to writing nonfiction. Her essays and book reviews appeared in Harper's and The New York Times Book Review, and in 1989 she published Mother Country: Britain, the Welfare State, and Nuclear Pollution, criticizing severely the environmental and public health dangers caused by the Sellafield nuclear reprocessing plant in England--and the political and moral corruption . In 1998, Robinson published a collection of her critical and theological writings, The Death of Adam: Essays on Modern Thought, which featured reassessments of such figures as Charles Darwin, John Calvin, and Friedrich Nietzsche. Aside from a single short story--"Connie Bronson," published in The Paris Review in 1986--it wasn't until 2004 that she returned to fiction with the novel Gilead, which won the National Book Critics Circle Award and the Pulitzer Prize. Her third novel, Home, came out this fall. Her novels could be described as celebrations of the human--the characters in them are unforgettable creations. Housekeeping is the story of Ruth and her sister Lucille, who are cared for by their eccentric Aunt Sylvie after their mother commits suicide. Robinson writes a lot about how each of the three is changed by their new life together. Gilead is an even more close exploration of personality: the book centres on John Ames, a seventy-seven-year-old pastor  who is writing an account of his life and his family history to leave to his young son after he dies. Home borrows characters from Gilead but centers on Ames's friend Reverend Robert Boughton and his troubled son Jack. Robinson returned to the same territory as Gilead because, she said, "after I write a novel or a story, I miss the characters--I feel like losing some close friends." From which section of a newspaper can you read this passage?
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