Instruct: Classify a given review as either positive or negative.
Query: Ecstatic and emotional rendering of complicated ragas

It seems to me that this genius was born with a Mandolin in his hand. His elegance and simplicity yet emotive and ecstatic mettle in handling complicated Carnatic Ragas clearly identifies the prodigy in him. Consider the 4th piece which is a RTP Ragamalika composed by the musician himself. The Mandolin master starts off with Kiravani, a Melakartha and is an ever-touching raga, slowly he slides into a less popular yet complicated raga and a derivative of the 27th Melakartha (Sarasaangi) called NalinaKaanthi. Having touched the soft scales of this raga, he then decides to dwell deep into the complicated well and plays a very unpopular yet profound raga by name Sucharithra (a mela again), followed by the scintillating dusk raga, Revathi and finally gets back to Kiravani. The next piece is also fantastic and a complex Thyagaraja keerthana in the raga Gaanamurthee (3rd mela).