Instruct: Classify the given review into positive or negative sentiment.
Query: You'll just have to hear it.

Fight For Your Mind is a good example of why review-writing is best reserved for albums somewhere between abhorrent and really, really good. For how can words come close to describing music as fantastic as this? I guess for truly superb albums, reviews can always be respectful but creatively vague. This sounds like everything you love (or didn't know you loved) about American music and the many traditions it stems from, all filtered through a soul--a voice, a musicianship--so brilliant it burned off all but the strongest, purest parts of the music and now has some vehicle of expression worthy of it's sincerity and ferocity. These are songs people will be humming and singing and dreaming 2000 years from now.