Instruct: Classify the given review as either positive or negative.
Query: The Changing of the Can

On this album, Holger Czukay quits playing bass and switches to the radio, dictaphone, and various other bits of electronics. Enter from Traffic bassist Rosko Gee and percussionist Reebop Kwaku Baah. Bad things occur. The fluidity of earlier Can records from "Soon Over Babaluma" is now dispelled, replaced with a turgidity that would hit its nadir with the next release, "Out of Reach". Nothing on this release stands out and amazes, although what Holger is up to throughout is worth note, as it forms the basis of what he was about to start doing on his solo efforts which begin not long after this project. But the rest of the pack seems lost here, and the focus of legendary Can albums is replaced by an improvisatory meandering...wandering in the deserts near Cologne somewhere...